The Legend of Albert Haahh

for brass quintet and narrator

Humbly transcribed by

Justin Locke

This is a copyrighted, unpublished work, and is meant for reading at this site only. Home

copyright 1991 Justin Locke
All Rights Reserved



An introduction. . .

Back in the days when I was supporting myself by playing in the Boston Pops Esplanade Orchestra, my difficulties with the personnel office (something about an "attitude problem") resulted in my being shunted down the row several times until I found myself closer to the brass section than I was to the other bass players. It was there that I first began to notice a recurring reference by the brass players to something, or someone, called "Albert Haahh." These references consisted of using "Al Haahh" as song lyrics, the wearing of t-shirts saying "Albert is a state of mind," and so on. While on tour, "Albert Haahh" was frequently paged over airport PA systems, and was also on every sign-up sheet for special meals and optional activities.

I finally asked one of the brass section members ("Big Al") just who "Albert Haahh" was, and he proceeded, as best he could, to explain it to me; and I have pretty much related that information verbatim in the first part of the story. The second part is an attempt, by way of a parable, to introduce the listener to the realm of "Albert Haahh." "Al Haahh," or "Albert," defies any sort of simple definition. It is a state of mind, a state of being, an attitude (generally very positive), an awareness, a spiritual presence, serenity; it is all of these things and none of them. It embodies feeling and denies explanation. To be is to Albert.

The pronunciation of "Haahh" is not terribly precise, and as of this writing I am still not quite sure of it. The "aa" is a broad and somewhat nasal sound similar to the "a" in "at." However, unlike the pronunciation of that vowel in the usual way (in which the tongue usually touches the back of the lower teeth), this "aa" requires the tongue sticking out far enough to touch the top of the lower lip. There is also considerable emphasis on the air flowing out making the "hh" sound. This is adequate for most informal uses and statements of reference to "Al Haahh;" however, there are often occasions where an extremely formal and correct attempt at pronunciation of the name is required. In those cases, the final "hh" sound is gradually constricted in the throat (sort of an aborted attempt at making a "k" sound), with the speaker usually sounding like he/she is choking.

Al Haahh--

Justin Locke
Boston, Massachusetts 1991



to the Esplanade Brass,
who taught me the true meaning of "professional deportment"

The Legend of Albert Haahh

humbly transcribed by
Justin Locke

Listen, my children, and you shall be told
of an odd but true story that is very, very old.

Some say he's man, others say he's defined
as, well, as a . . . uh, well, as . . . as a state of mind.

But whether he is real or somewhat abstract
One thing is certain: His name is Al Haahh.

Now I should point out that the pronunciation
Of this name is the cause of some argumentation.

Some say "haah," some say "haaagcht," but that's all a priori;
Let's forget about that and get on with the story.

Albert was born in an orchestra pit
where they were playing an opera . . . now, what was it?

It was Carmen, or Aida, or something like that
that played at the birth of the great Albert Haahh.

The trumpets and trombones were reading their books
(While keeping them hidden to dodge dirty looks)

'Til the part where the tenor would kiss the soprano
Which was marked molto forte (the opposite of piano)

And when their cue came, they played to perfection
with the great big brass sound of a great big brass section.

[music]

But the maestro looked up with a cold icy stare
and he frowned at the brass with his palm in the air.

Then he opened his mouth, and this is a fact:
He said "Aal accht! Aal acchht! acchht! acchht!"

The trumpet looked up and said, "What did he say?"
"Not sure," said the tuba. "oops-- time to play!"

"Perhaps," said the horn, "he wants more of our tone."
So they played their next entrance, which was them all alone.

With all of their gold and brass bells in the air
They let all their gold and brass vibrations blare.

[music]

But just as this fanfare was reaching its climax,
The conductor yelled "Axxs !! al axxh! al Axxchx! Acchx!!!"

"Huh," said the trombone. "He's really upset.
Have you figured out what he's saying yet?"

"Al... aacchh," said the trumpet. "Well, it could be a noun,
Or perhaps it's a participle, turned upside down.

Whenever he says it, it's never the same.
But I have a theory: I think it's a name."

"A name?" said the tuba. "Sounds like 'aahh Acchx' to me.
What sort of name could that possibly be?"

"Well," said the trumpet, "I know I'm no expert
But it sounds like.. like 'Al.' You know, like 'Albert'."

And the trombone said "Albert? Albert? Albert Haaggxhh?
What in the world kind of name is that?"

"Well," said the horn, "I've never heard of Al Haahh
But if he plays really loud, I'd like to be just like that."

"Me too, and me too," they all said as a section
"But we can't be the same; we will need some direction."

And so, this little group of professional pals
Each become known as their various "Al's."

There was Big Al, and Little Al, and though slightly absurd,
There was Uncle Al, Cousin Al, and an Albert the third.

So now, when the maestro said "al haaccht" to the trombone
He responded by playing with bigger and bigger tone.

If the maestro would even glance up from his score
the brass would play louder than ever before.

Soon the whole orchestra said, "Why do you do that?"
And brass answered simply: [long pause] "Al Haahh."

Soon the fame of Albert Haahh had spread so far and wide
It even travelled all the way and found itself inside

The Office of Brassology, where the boss in charge there said,
"Such tone has not been authorized," (to an employee there named Fred.)

"I don't recall my having said that ANYONE was allowed
to ever play with such big tone, or ever play so loud.

Fred, I'm giving you the job to nip this in the bud.
I want the name of Albert Haah to change to Albert Mudd.

It's your job, Fred, to make sure Albert Haahh will be defeated.
Good luck, my boy, and don't you dare come back 'til it's completed!"

Now Fred of course did want so very much to please his boss
But how to go about it left him at a total loss.

He walked around and followed his ears until he came upon
This amazing group of Alberts, who played an antiphon.

[music]

And then Fred asked them, with the utmost of tact:
"Excuse me, but I'm looking for... Albert Hact."

"Get him," said the trumpet, and he turned with a laugh
"Everyone is looking for . . . Albert Haugh."

"But sir, if you please, have you seen him about?
There are a number of things I would like to find out."

"Well," said the horn, "what would you like to ask?
We know a lot about . . . Albert Hask."

"Well," said Fred, "can you tell me at all
Is he fat, is he thin, is he wide, short, or tall?

Is he, well, is he, is he even a he?
or is he a whom or a what or . . . or is he a she?

Who is Albert Haahh? Please, give me a clue.
Who is Albert Haahh? Please, I'm asking you."

"I'm afraid," said the horn, "that you're way off the track.
Such thoughts will not lead you to . . . Albert Hack.

You don't need a hint, and you don't need suggestions.
There is only one answer to all of your questions.

The answer, the answer, is simply. . . Al Haahh."

At this moment, Fred, out of all his confusion
Saw something between cold hard facts and illusion.

In spite of his doubts and his shock and his fear,
there was something, yes something, becoming quite clear.

But just at this moment, the thing Fred most feared
happened. That's right . . . Fred's boss appeared.

"Harumph," said the boss. "I've been waiting all day.
Let's have your report! What have you got to say?"

When volcanoes erupt or the hurricanes blow
The networks report it, and all of us know;

But sometimes, inside us, things just as momentous
occur, after which, well then, none can prevent us

From saying that which we believe to be true;
And Fred said, "I've got just one thing to say to you:"

And he looked at his boss and he said . . .

" Al Haahh ! "

The boss, I'm afraid, could not figure this out;
And he started to scream. He started to shout.

[boss:] Whoever told you . . . [tpt1, sings:] Al Haahh
Who do you think you . . . [tpt2:] Al Haahh
How many times do I . . . [horn:] Al Haahh
What is the big idea . . . [tbn]: Al Haahh
What is the meaning of . . . [tuba:] Al Haahh

[--brass build triumphant chords]

[sung by brass:]
Al Haahh, Albert Haahh, Albert Haahh, Al Haahh, Al Haahh

This chorus of Albert was all he could take;
The boss couldn't talk; he just started to shake.

Until some men came and they took him away
to a nice little room for a nice little stay.

Now I suppose that at this point (when all is done and said)
You may in fact be wondering just what became of Fred.

Well--
Fred became the boss, you know, when all of this was through;
And it should not surprise you that he's now an Albert, too.

And the moral of this story is, if someone asks of you
Why you're making so much noise, well here is what you do:

Just look directly in their eye and tell them simply that
The answer is
the answer is
the answer is

Al Haahh!!

The Legend of Albert Haahh copr. 1991 Justin Locke

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